Thursday, November 19, 2009

Digital Graffiti

I've often wondered why people through the ages, from cultures all around the world, have found it compelling to write their names on buildings, trees, rock walls and other public spaces. This isn't a new phenomena to be certain.

I've witnessed Maori graffiti in New Zealand and Native American carvings estimated to be nearly a thousand years old just minutes from my home. Other examples show up in Mulka's Cave in Hyden, Western Australia and we've all heard of France's famous Lascaux.

What is the driving force that compels mankind to strive for a lasting legacy; to carve expressions of puppy-love into the bark of the biggest beech tree? In many instances –especially in times past– I'm sure these things were done to stake a territorial claim not unlike the Vogelkop bower bird of New Guinea, which builds a most beautiful structure to make its presence known. Other marks have undoubtedly been made out of a desire for self-expression of a more artistic nature or for documentary purposes as well.

There is a beautiful granitic outcrop about fifteen minutes from where I now sit that has been painted again and again by visitors. The vandals come in the late hours and cast out their undying affections like multi-colored nets across the surface of the rock. In spite of this, the view is still amazing but I can't help but feel that some of the magic has been robbed away.
As I write, I am struck by the thought that maybe even this blog is a sort of digital graffiti. Possibly my own way of saying "Hello world, here are my thoughts, don't forget me when I'm gone." We are funny creatures indeed.

Monday, November 16, 2009

People Patterns

When my wife Kari and I were in New York last week we had an opportunity to visit The Strand Bookstore in Greenwich Village, which claims to showcase “18 miles of books!” Personally, I was in heaven but had to soon retreat before my bank account began to stretch as much as my overstuffed suitcase.

I happened to find a really cool little book by Welsh artist and writer David Wade entitled “LI: Dynamic Forms in Nature.” In this quick read, Wade explores commonly occurring patterns and forms found throughout nature. I’ve always been fascinated by the Golden Section but find this much easier to grasp since I am dreadful at mathematics.

Browsing through its pages, I was reminded of just how connected all aspects of nature really are. Regardless of how much time we may spend convincing ourselves that we are exempt from the need to be a part of creation, it just doesn’t add up. That is a sum that even I can formulate correctly!

As we walked through Central Park, I marveled at the throng of people who flocked there to be amongst the trees. Even in a city like New York, where there is an opportunity to feed every imagined human desire, the need to connect with something deeper cannot be shed.

Monday, November 9, 2009

The Tapestry Unfolds a Little Further

As of late, I've continued to experiment with my 'Tapestry' series. Although it may look like a dreary, photographic rendition of something akin to Picasso's "Blue Period," the actual tone of these images isn't intended to be depressing at all. In actuality, the images are more about the passage of time and our place in it, particularly in natural settings. Risking pretentiousness, I might say that in a way I'm trying to capture the past in the present. Read previous posts about the technique here.
My wife and I were able to spend this past weekend in New York and were fortunate enough to see the Robert Frank's "The Americans" exhibit at the Metropolitan Museum of Art. I was familiar with Frank's work but must admit that I was really blown away by the collection. Several of the images particularly struck a chord with me because they seemed to be more about the essence of the moment rather than the subjects that they portrayed –exactly what I've been reaching for in this series. Some images were quite dark, and the subjects were treated as a vehicle to express some deeper emotion. They definitely gave me the encouragement that I needed to explore this experiment further.

Wednesday, November 4, 2009

Let's Talk About Grassroots Conservation

On Sunday November 15th at 3:30 pm I'll be giving a presentation for the Upstate chapter of Carolina Nature Photographers Association on the topic of grassroots conservation photography. The meeting will be held at the Greenville County Library.

The tone of the talk will be very casual, fun and (hopefully) inspiring! I'm really looking forward to sharing a bit of my story with members of the photographic community here in Upstate, South Carolina and I hope to see you there too!

Thursday, October 29, 2009

Greenwashing is All Washed Out

The blogging hiatus should be over after this week.It will be nice to actually post some photos again.

In the meantime, read this very interesting article on The Nature Conservancy's Cool Green Science Blog, which considers the ineffectiveness of the current deluge of  "Greenwashing" in the marketplace.  It is time to recalibrate the environmental message and bring audiences back around to what it is truly all about. We have to do more than just give lip-service and make ourselves feel good by saying all of the right things. Believe me, I am just as guilty as the next person so this is directed inwardly as well.

cb


Thursday, October 22, 2009

Into the Ether

Some of you may have noticed my recent lack of posting over the last couple of weeks. Unfortunately, this may continue through the end of the month. I've been quite busy ironing out the details on a new project, which is great, but it certainly leaves less time for blogging.  In the meantime, I'll try to at least pass on some useful info as I come across it.

I recently wrote a blog-post about camera traps for wildlife. In this vein, I'm pleased to link to a recent in-depth review by well-known macro photographer Paul Harcourt Davies about the Phototrap, an infrared trigger kit, which works well with insects and other small animals.  Paul knows his stuff so stop over and check out the review when you have a minute.

Tuesday, October 6, 2009

What Drives Me On?

Having been involved in the Arts for as long as I can remember, I have had my share of ups and downs. It has been an interesting journey, which has, at times, been more like clinging desperately –and often in exhilaration– to a tidal surge that is pushing me forward and pulling me under in the same stroke.

I have wondered, many times, what the defining element was, that crystallizing event that has defined my career so far, my burning desire to create, to spread a message. Why is it that I was cut from that cloth –however poor of a pedigree– that would keep me up late at night scrawling out ideas and feeding my ravenous desire to learn more and more?

I remember one event in particular that had a great effect on my sense of what might be accomplished: my first grade science fair. I've always had a great fondness for peg beetles (which I called 'stag beetles" at the time) and chose to make them the subject of my project. Deciding that just an illustrated poster alone wouldn't do, I also adhered a terrarium, made from the clear plastic packaging from a He-Man action figure, to the poster with live beetles and a mini-habitat. I must admit that I felt a rush when I walked into the classroom and my wonderfully encouraging teacher, Ms. Alexander, showed much enthusiasm. Winning first place was also immensely satisfying to an awkward and shy little boy. Ironically, that melding of graphic design, art and nature, directly links to where I am today: still combining those elements to tell a story, but instead of a Crayola marker, I'm using a camera to do most of my illustration work. And, of course, my passion for nature has been an equally, if not more of a determining force in my life these past few years.

Perhaps it is an addiction to creativity, there is certainly a rush associated with artistic success and an ever-growing hunger to achieve more. If so, I'm afraid that there may not be a cure. Whatever it is that drives me on has been a constant companion in my life, for better or for worse, and as I write, I can't help be distracted by an idea that just occurred to me. It is a relentless master, but one that I love and hate at once, and without it I would be lost.