Monday, September 14, 2009

Mowing with the Dictator

Am I alone in wondering just why our Western culture is so obsessed with lawn care? What is it about taming tiny blades of grass with a rapidly spinning blade that gives homo sapiens such feelings of utter satisfaction? These are questions that I mutter to myself, as I mow my own lawn (or the limited area that I begrudingly do maintain.) Is it all a great power trip, a way to keep up with the Joneses or something deeper and more ancient?

Author David Quammen, in his essay entitled "Rethinking the Lawn," confesses that he once believed that the American Lawn was part of a Communist plot meant to turn we statesiders into mindless drones. He later goes into several very intriguing explanations for the phenomena, including one linked to evolutionary biology known as the savanna hypothesis, which was proposed by a biologist named Gordon H. Orians. In a nutshell, this hypothesis draws a link from the modern suburban humanity all of the way back to the plains of Africa where "savanna-type environments with scattered trees and copses in a matrix of grasslands should be highly preferred environments for people and should evoke strong positive emotions." In short, less vegetation = less hiding places for predators = higher visibility = improved conditions for human survival. The problem is, I like tall grass and only seem to find more and more satisfactory reasons to let grass grow tall. Where does that put me on the evolutionary scale of life?

When my wife and I lived in the city, there was more pressure to keep a somewhat manicured front lawn. Nosey neighbors would dob you in to the council if things got too out of hand (in quotations) and even the good ones began to squirm a bit if one let anything got long enough to sway, ever-so-slightly, in the breeze. Once I let a milkweed grow up to seven feet high in my yard just so I could listen to the neighbors discuss its massive height when they thought that I wasn't around to hear. It was pure joy, let me tell you!

Playful vindictiveness aside, I noticed another thing that began to occur as my lawnspace was diminished and replaced by native plants, wildlife began to populate the backyard, seemingly overnight. First it was the butterflies, followed by the spiders, and then the birds, and then toads, and snakes, and on and on it went. I was the proud owner of my own private sanctuary. Something quite unexpected also began to happen; I began to make better and better photos. Because so much of my work has always been macro-based, I no longer needed to travel long-distances to find great subject matter –it was already there.

I feel very fortunate that our country neighbors are tolerant of my unpopular desire to let the field grow tall – although I believe that they think I'm a little odd for doing so. However each day, as the sunlight strikes the broom sedge golden, or a morning fog hangs heavy across the dew-covered wildflowers, I hope they will begin to see the beauty that was just waiting to be unlocked during all of those years of heavy mowing. Each season, as more new plants turn up, more cottontails appear and more deer hide their young in the undergrowth, the more affirmation that I feel. Then again, I might just be an odd and easy meal for a predator that will never turn up.

Sunday, September 6, 2009

Camera Traps–Self Portraits for Shy Beasts

Photo copyright Steve Winter/National Geographic
For elusive, shy and remote wildlife, camera traps often prove to be the ultimate solution for photographing these species. In the past couple of years improvements in trap technology, coupled with more efficient lighting and strobe systems, have allowed for some absolutely incredible moments to be captured that would have previously been impossible.

Those of us who follow photographers who utilize camera traps will undoubtedly be familiar with the brilliant work of National Geographic's Michael Nichols. His images of forest elephants in Ndoki are truly amazing. Nichols' ground breaking work has been followed up by a new generation of wildlife photographers including fellow ILCP member Carlton Ward, Jr. and fellow NG shooter Steve Winter, whose snow leopard images from the Afghan mountains created quite a bit of media buzz last year. One image in the series won the 2008 Veolia Environnement Wildlife Photographer of the Year Award. In my humble opinion, these are some of the most beautiful trap-made images to date.

One of my favorite new series of images is by Joe Riis, an emerging member of the International League of Conservation Photographers (ILCP) who has recently received praise and excellent exposure for the images that he has made of migrating pronghorn antelope in the American West. Because of his keen understanding of the antelope's migration patterns and and his ability to utilize camera traps on the fly, he has been able to make a series of images illustrating this ancient occurrence for the first time in history.

For anyone interested in learning more about the "how-to" side of camera trap photography, I would recommend a visit to the blog Camera Trap Codger, which has a lot of useful info for the beginner!

Thursday, September 3, 2009

WILD GEESE WE HAVE KNOWN: Part 1

Note: The following images are from a personal project that I've worked on over the past 2 1/2 years:

It was in April of 2006 that my family first heard the exuberant honking of two Canada geese coming from the direction of the pond behind our home. At that time, we had no idea how much of a part of our lives the pair would be become.

That first year, the boisterous waterfowl only stayed for a few weeks, aggressively defending the one-acre pond against any other approaching pair. Then, one day they suddenly left and we expected to never see them again; for better or for worse, we were wrong.

The following spring, the pair returned about a week earlier than they had in 2006. However, this time, they appeared more confident, and even began to walk up the hill from the pond and 'spy' on our daily activities. Little by little, they came quite close –we were in love. However, the feeling wasn't always mutual. The pair, comprised of a small female and a tall but standoffish male, was dubbed ‘Grumpy and Shy’ by my oldest son. Shy was the male and Grumpy –a very appropriate title– was given to the overly aggressive female. In fact, she was so willing to nip at our shins that we assumed that she was the male; that is until she began to nest.
We eagerly watched the young female as she tossed leaves and soft down onto her back and then shook the nesting material down around her feet, slowly building up a nest over a period of days. My wife, who had never really been a bird lover prior to this event, became enamored by the process and read everything that she could about the life cycle of Canada geese. Anxiously, we counted the days until when the eggs were supposed to hatch. In early May, we saw our first glimpses of the five beautiful goslings that Grumpy had hatched.

Sunday, August 30, 2009

Highly Commended, Environmental Photographer of the Year, 2009


I have just been informed that one of my photographs has been 'Highly Commended' in the 'Natural World' category of the 2009 CIWEM Environmental Photographer of the Year Competition. I am so honored to receive this recognition and send my sincere appreciation to the judges of this year's competition. Although this is my first time winning an award in the London-based EPOTY, it will be the second year in a row that I have been part of the exhibit which is presented at a number of locations across Europe as well as in various media outlets.

The purpose of the global competition is to "...share images of environmental and social issues with international audiences, enhancing our understanding of the causes, consequences and solutions to climate change." I am so grateful to be a part of this undertaking.

More information about the competition can be found on the CIWEM Facebook page, as well as at the link above.

Tuesday, August 18, 2009

Let Children Experience Nature First-Hand

Although there certainly isn't any shortage of wildlife and nature programs on television these days, I have begun to worry that many of these programs aren't sending the right message out to viewers. It particularly concerns me that many children get most, if not all, of their knowledge about the natural world from this sensationalist programming.

In February of 2008, Animal Planet revealed their new brand-image that moved away from traditional natural history programming to a more campy-fare; one that involved 'Monsters of the Deep' or 'I was swallowed by a Bloodthirsty Croc and lived to tell about it in all the glorious gory details and bad re-enactments that a person could ever dream of." As Marjorie Kaplan, the president of Discovery Communications said in an interview with Broadcasting & Cable, "We feel a little too human, a little too soft, a little too all-family and not powerful enough," "We're being more aggressive and tapping into the instinctual nature of compelling animal content." WOOF!

Those of us who are parents and share a concern for the natural world really must take the time to allow our children to explore woods, fjord streams, catch insects, raise tadpoles and generally just have fun in a natural environment. With two boys of my own, I understand just how difficult it can be not to panic when your child climbs to the highest branches of a tree or gets a really bad bee-sting. However, the confidence that they will gain, no doubt, from experiencing freedom in nature transfers over to other areas of their lives as well. Recently, I heard that my oldest son is the 'go-to' person among all of his friends whenever someone finds a spider or snake. Not only is he able to share his knowledge with others, but he is also learning how to become a leader.

T.V. is fine – we love all of Sir David Attenborough's programs – but nothing will ever take the place of just letting kids run wild and discover The Life in the Undergrowth of their own backyards. Don't let Animal Planet, and other stations with similar shows, taint your children's view of what the outdoors are really all about.

Wednesday, August 12, 2009

Conserve A Legacy: Cover Draft

If anyone has been wondering why I've been so slack on posting lately –I can just feel the vibes– it is because I've been in the trenches completing the layout & design for the book that I've been making images for over the past 1 1/2 years. The book, which has now been titled, "Conserve a Legacy: Natural Lands & Waters in South Carolina" is going to the publisher–Mountain Trail Press– later this week if all of the stars align properly. Can I tell you just how happy I will be when that happens? :) Seriously, the book looks really good. I sincerely hope that readers will take notice of all of the amazing things that the SC Conservation Bank has been able to accomplish over the past 4 years. The bank needs everyone's support in these difficult financial times. In addition to my photos, the book also features images by Thomas Wyche, Richard Bernabe and Greg Kiniry to name a few.

To prove that I've actually been doing something other than chasing bugs in the backyard, I've attached a fairly complete draft of the front cover; I hope you like it. Once this goes out, things should slow down a bit and I can immediately jump into another project, which I can then use as a new excuse for not posting regularly.

Monday, August 3, 2009

A Project Ends on the Black River

I thought that I would write a quick post to let you all know what I've been up to. I made my last last picture for the South Carolina Conservation Bank book this weekend. The property in question was located on the incredibly beautiful Black River; a South Carolina state Scenic river found in Georgetown county along the coast. The book is divided up into the four geographic regions of the Palmetto State: Piedmont, Central, Pee Dee & Coastal. Like the Black River site, most of the properties that I photographed for the book are found in coastal SC. This was a really great educational experience for me because I live, and usually shoot, in the Piedmont.

The Black River was one of the most hauntingly beautiful places that I've ever had the privilege of photographing. Now that I've fallen under its spell, I am certain that I will be spending more time there. I would really like to spend some time photographing the wide variety of flora & fauna that thrives along its banks and the riparian corridor that surrounds it.